Brain Advance Access originally published online on September 7, 2006
Brain 2006 129(10):2585-2592; doi:10.1093/brain/awl240
| ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Emotional responses to unpleasant music correlates with damage to the parahippocampal cortex
1 Department of Psychology, University of Montreal Montreal, Quebec, Canada 2 Department of Epilepsy, La Salpêtrière Hospital CHU Pitié-Salpêtrière, Paris, France 3 LENA CNRS UPR 640, La Salpêtrière Hospital CHU Pitié-Salpêtrière, Paris, France 4 Department of Neuroradiology, La Salpêtrière Hospital CHU Pitié-Salpêtrière, Paris, France 5 INSERM 739, ‘Cortex et Epilepsie’ CHU Pitié-Salpêtrière, Paris, France 6 Université de Lille 3, Pont de Bois Villeneuve d'Ascq Cedex, France 7 Division of Humanities and Social Sciences, California Institute of Technology Pasadena, CA, USA
Correspondence to: Isabelle Peretz, Department of Psychology, University of Montreal, CP 6128, Succ. Centre-ville, Montréal, Quebec, Canada H3C 3J7 E-mail: isabelle.peretz{at}umontreal.ca
Music is typically a pleasurable experience. But under certain circumstances, music can also be unpleasant, for example, when a young child randomly hits piano keys. Such unpleasant musical experiences have been shown to activate a network of brain structures involved in emotion, mostly located in the medial temporal lobe: the parahippocampal gyrus, amygdala, hippocampus and temporal pole. However, the differential roles of these regions remain largely unknown. In this study, pleasant and unpleasant music was presented to 17 patients with variable excisions of the medial temporal lobe, as well as to 19 matched controls. The pleasant music corresponded to happy and sad selections taken from the classical instrumental repertoire; the unpleasant music was the dissonant arrangement of the same selections. Only patients with substantial resections of the left or right parahippocampal cortex (PHC) gave highly abnormal judgements to dissonant music; they rated dissonant music as slightly pleasant while controls found it unpleasant. This indifference to dissonance was correlated with the remaining volume in the PHC, but was unrelated to the volume of the surrounding structures. The impairment was specific: the same patients judged consonant music to be pleasant, and were able to judge music as happy or sad. Furthermore, this lack of responsiveness to unpleasantness was not due to a perceptual disorder, because all patients were able to detect intentional errors in the musical excerpts. Moreover, the impairment differed from that induced by amygdala damage alone. These findings are consistent with a two-dimensional model of defensive responses to aversive stimuli, in which the PHC and the amygdala subserve different roles.
Key Words: emotions; epilepsy; dissonance; music; parahippocampal cortex
Abbreviations: PHC, parahippocampal cortex; PHG, parahippocampal gyrus; M.M., metronome marking
Received June 21, 2006. Revised August 8, 2006. Accepted August 9, 2006.
CiteULike 
Connotea 
Del.icio.us What's this?
This article has been cited by other articles:
|
|
 |
|
  R. Omar, J. C. Hailstone, J. E. Warren, S. J. Crutch, and J. D. Warren The cognitive organization of music knowledge: a clinical analysis Brain, February 8, 2010; (2010) awp345v1. [Abstract] [Full Text] [PDF]
|
|