Skip Navigation


Brain Advance Access originally published online on June 23, 2003
This Article
Right arrow Full Text Freely available
Right arrow FREE Full Text (PDF) Freely available
Right arrow Supplementary material
Right arrow All Versions of this Article:
126/8/1838    most recent
awg186v1
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Services
Right arrow Email this article to a friend
Right arrow Similar articles in this journal
Right arrow Similar articles in ISI Web of Science
Right arrow Similar articles in PubMed
Right arrow Alert me to new issues of the journal
Right arrow Add to My Personal Archive
Right arrow Download to citation manager
Right arrow Search for citing articles in:
ISI Web of Science (16)
Right arrowRequest Permissions
Right arrow Disclaimer
Google Scholar
Right arrow Articles by Hébert, S.
Right arrow Articles by Peretz, I.
Right arrow Search for Related Content
PubMed
Right arrow PubMed Citation
Right arrow Articles by Hébert, S.
Right arrow Articles by Peretz, I.
Social Bookmarking
 Add to CiteULike   Add to Connotea   Add to Del.icio.us  
What's this?

Brain, Vol. 126, No. 8, 1838-1850, August 2003
© 2003 Guarantors of Brain
doi: 10.1093/brain/awg186

Revisiting the dissociation between singing and speaking in expressive aphasia

Sylvie Hébert1, Amélie Racette1, Lise Gagnon2 and Isabelle Peretz1

1 University of Montreal and Montreal University Geriatric Institute, Montrèal, Quebec, and 2 Research Center on Aging, Sherbrooke, Québec, Canada

Correspondence to: Sylvie Hébert, PhD, École d’orthophonie et d’audiologie, Faculté de médecine, Université de Montréal C.P. 6128, succ. Centre-ville Montréal, Québec, Canada H3C 3J7 E-mail: sylvie.hebert{at}umontreal.ca

We investigated the production of sung and spoken utterances in a non-fluent patient, C.C., who had a severe expressive aphasia following a right-hemisphere stroke, but whose language comprehension and memory were relatively preserved. In experiment 1, C.C. repeated familiar song excerpts under four different conditions: spoken lyrics, sung lyrics on original melody, lyrics sung on new but familiar melody and melody sung to a neutral syllable ‘la’. In experiment 2, C.C. repeated novel song excerpts under three different conditions: spoken lyrics, sung lyrics and sung-to-la melody. The mean number of words produced under the spoken and sung conditions did not differ significantly in either experiment. The mean number of notes produced was not different either in the sung-to-la and sung conditions, but was higher than the words produced, hence showing a dissociation between C.C.’s musical and verbal productions. Therefore, our findings do not support the claim that singing helps word production in non-fluent aphasic patients. Rather, they are consistent with the idea that verbal production, be it sung or spoken, result from the operation of same mechanisms.


Add to CiteULike CiteULike   Add to Connotea Connotea   Add to Del.icio.us Del.icio.us    What's this?


This article has been cited by other articles:


Home page
Music and MedicineHome page
M. Jungblut, M. Suchanek, and H. Gerhard
Long-Term Recovery From Chronic Global Aphasia: A Case Report
Music and Medicine, July 1, 2009; 1(1): 61 - 69.
[Abstract] [Full Text] [PDF]


Home page
BrainHome page
A. Racette, C. Bard, and I. Peretz
Making non-fluent aphasics speak: sing along!
Brain, October 1, 2006; 129(10): 2571 - 2584.
[Abstract] [Full Text] [PDF]



Disclaimer: Please note that abstracts for content published before 1996 were created through digital scanning and may therefore not exactly replicate the text of the original print issues. All efforts have been made to ensure accuracy, but the Publisher will not be held responsible for any remaining inaccuracies. If you require any further clarification, please contact our Customer Services Department.