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Brain 2008 131(1):304-307; doi:10.1093/brain/awm225
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© The Author (2008). Published by Oxford University Press on behalf of the Guarantors of Brain. All rights reserved. For Permissions, please email: journals.permissions@oxfordjournals.org

Book Review

Keeping media in mind

The first 150 words of the full text of this article appear below.

Don DeLillo's novel, White Noise (1984), has a character called Doctor Winnie Richards who, being a cognitive neuroscientist, is likened to ‘some phenomenal subhuman like a yeti or sasquatch’. Her role is to discover the chemical components of a mysterious new designer-pill which the main character's wife is taking in a secret psychopharmacology trial. Winnie eventually discovers that the drug, known as Dylar, is designed to inhibit a neurotransmitter that generates fear of death; whereby DeLillo gives his readers a flavour of what neuroscientists get up to.

A sign of the development and rapid expansion of a scientific discipline is its impact on popular culture. White Noise depicts neuroscience, albeit through a fantastically distorted lens, from the vantage point of the mid-1980s as a coming discipline, which of course it was. Just as the invention of the telescope and the discovery of mathematical physics had provided new ways of understanding . . . [Full Text of this Article]

John Cornwell

Director of the Science and Human Dimension Project
Jesus College
Cambridge CB5 8BL
United Kingdom


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